| HF Exclusive Feature: Marion Peck "Ladies and Clowns" |
| Written by Nathan Spoor Monday, 18 May 2009 07:54 | |||
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The show is called Ladies and Clowns. There are paintings of ladies, and paintings of clowns, and a couple other strange odds and ends. As usual, I am not really sure how or why I arrived at painting them. The clowns just kind of snuck in the back door. 
Oh yes. I have many rituals. But I am afraid I must keep them a secret. If I told everyone about them, they might lose their power. It's wonderful to appreciate your works in person, and I'm certain your collectorship agrees, but how much time does it take to produce one of these masterworks? Do they appear in groups or one at a time? The answer to how long they take is forever. That is what it often seems like, anyway. Its actually more like a month or so for a fairly simple straightforward painting, to six months or more for a larger, more complex piece. They take a crazy amount of patience. Often I think what I have is not so much a painting style as it is a psychological disorder of some kind. On some days, it feels like Im lying on the ground, pulling myself forward using only my teeth. I do them pretty much one at a time, but sometimes I will give them a rest before finishing them, and start something else. 
We have been thinking about doing it for awhile. I think plans for it might be starting to gel. Should happen within the next couple of years. 
Well, I have a long term relationship with Italy. I lived there for a couple of years, and have gone back there I dont know how many times, so Italy will always be a very special place to me. I think living there had a deep effect on my work. Living close to history, in the art, the landscape, the buildings, the culture, everything, it changes you. Recently Mark Ryden and I went to Japan for his show there, and that was really cool. Their popular culture is amazing. There so is much of the world I would love to see, so much to look forward to. 
I want to go to Russia. It just sounds really fun, drinking some vodka and eating some caviar and checking out the Hermitage. I want to go to Greece and live in a little white house on a tiny island for a few months. Manchu Picchu. I love London, it is such a cool town, and I would love to spend more time there. Someday India, but Im kind of saving that until I feel ready. 
I do have a little sketchbook I always carry with me to jot ideas down and make little sketches, but Im not really a big sketchbooker, not like some people. I have always wished I could fill a book with beautiful sketches, but most of my drawings are very loose scribbling that only I can interpret. 
I want to make paintings so beautiful that when people see them they fall down on their knees weeping and loose control of their bladders. Its true. But in general, I feel incredibly fortunate to have made it thus far. Just being able to live off making my art is a rare and valuable privilege, and I would be grateful to just be able to continue doing that. I also would like to do some things besides painting: some three dimensional work, installations and videos. 
I read a lot of books about depth psychology. My favorite author/thinker is James Hillman. I have read almost everything hes written, and attended some of his lectures. I also love to read books on astrology, a subject that greatly interests me. 
Oh yes, music is very important for getting the magic flowing. I listen to a great deal of Enos ambient music. I also like harp or lute music. Very, very peaceful, floaty music, most of the time. Every so often though, I play Radiohead quite loudly. 
Mark Ryden, of course, has a very profound influence on me. I like some of my other contemporaries work very much, ( Neo Rauch, John Currin), but I dont really look at their stuff much. I look at the old dead guys all the time, the Northern Rennaisance painters, Martin Johnson Heades landscape paintings, Watteau, Breugal. The films of Miyazake always inspire me. What is one useful tip you've learned recently in your explorations in oil painting? Use good brushes. Spend the money on them and take good care of them. A good tool can make all the difference. Is it more potent for you to work at any certain time of day, or year even? Morning energy is definitely the best. I used to be able to work at night much better, but as I get older I start winding down and getting pooped earlier. Basically I work whenever I can, though. Life is so busy and demanding, and my work is so time consuming, I pretty much have to use whatever quiet time is available to me, though it never seems like enough. 
Hmmmm....many things come to mind. I guess what I would say first is to find what you love, the things that you love to look at, and gather them around you and soak yourself in them. Make art from a place of love and passion, not from a trying to look clever kind of place. Dont worry about finding a style or any of that bullshit. You are your style. Just work hard and be good and let life take you where it will. Everything will come in time, to those who are pure of heart.      
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